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"Company," show #838

When the recent London production of Company transferred to Broadway, complete with gender-swapping characters and new lyrics, some...

"Hadestown," show #837

I bookended my Best Musical winners with 2020’s title, Hadestown, Anaïs Mitchell’s triumph of musical theatre. The story of Eurydice and...

"Moulin Rouge!," show #836

Moulin Rouge! is a Broadway show that, once you’ve seen the 2001 film, just makes sense to put on stage. After sweeping the 2021 Tony...

"Six," show #835

There are certainly more than six reasons why Six is a fantastic show, but I’ll make it easy on you and just give one: the cast! Adriana...

"Wicked," show #834

The currently touring production of Wicked delivers the goods on the sweeping Schwartz score and Holzman book with energy and commitment...

"Hamilton," show #833

The tour of Hamilton is young, scrappy, and talented! I had the pleasure of seeing this outstanding cast deliver a fantastic performance...

"Sense and Sensibility"

The story is as old as its 1811 original publication, and still Jane Austen’s Sense and Sensibility is among the greats in the pantheon...

"Assassins" show #832

(Cast of Assassins; Photo credit: Steven Lam) Assassins is my second-favorite Stephen Sondheim show and here’s why: it balances the...

"Waitress" review, show #826

While I acknowledge that Broadway is blessed to have a Sara Bareilles score that has pop, freshness, and character-driven lyricism, it...

The Road to 1,000: Blog2
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